Infinite Threads · Embodied Threads
The Creative Stage
Sixteen ballets across fifteen years — made for children, and made with them.
Every season ends inside a story. Some I write from nothing; some are beloved tales retold for young dancers. Either way the children spend months living in one world, and then they give it a body.
Every ballet here began as a question about what the children needed to live inside.
This Season · 2026
Journey to Fantasia
After The NeverEnding Story
A world is being eaten by nothing, and it can only be saved by a child willing to give it a name. Which is, more or less, what we are doing anyway.
Written from Nothing
Original ballets
Myths written for young dancers — so the pattern a child lives inside for a season is one made for exactly where they are.
Symphony of the Elements
Air, water, fire and earth as living forces — and a world thrown out of balance. To Beethoven. 2020The Dream
A girl sleeps through The Nutcracker and wakes inside her own dream, led by the Sugar Plum Fairy. To Tchaikovsky. 2019Lyra's Quest
A young heroine whose world is running out of water. To Holst's The Planets. 2018The Magical Divide
Page to stage and back again — it became a published picture book.Retold for Young Dancers
Adapted for the stage
Forty-five minutes to an hour, tailored for children and performed by children. The familiarity is the point — when a child already knows the story, they are free to discover what their body can say about it.
The Greatest Showman
Sentiments: A Journey Inside
The emotions, danced from within. 2022Trolls
2021Alice in Wonderland
2017Peter Pan
2016The Jungle Book
2015The Little Mermaid
2014The Velveteen Rabbit
2013Charlotte's Web
2012The Lorax
2011The Wizard of Oz
Where They Go
The performances do not end at the theater
Our young dancers carry their ballets into the community — to local nursing homes, schools, and other cherished spaces — bringing joy where it is needed.
And learning, early, that art is something you give.
A season inside a story
is worth more than a show.

